CONTEMPORARY ART STOCKROOM Marise Maas

Upcoming Exhibitions

New Works on Paper

This is the installation of Marise Maas images now prominently displayed on Flinders Lane at the base of the NIcholas Building. We have the pleasure of working with the Metro Tunnel Creative Program and the State Government of Victoria to bring this uplifting public work to your city street.

The act of painting dominates the world of Marise Maas. As she pursues her need to capture beauty within the everyday, painting has for her become a form of daily meditation, helping to douse feelings of worry or concern through the act of paying attention to the ordinary things she encounters through the course of a day.

The appeal of Maas’ work lies in this admission that life, for the most part, happens within the rather uneventful ordinariness of daily routines and interactions; the bath is run, the phone is answered, the light bulb is changed. It is while surrounded by these small things that the greater highs and lows of life unfold. Maas states, ‘’I’ve always been interested in glorifying the banal. If you look closely at the smaller detail, you’ll find huge stories’’.

Maas has been fascinated with horses and horse riding since childhood and the repeated depiction of horses within her works represents a form of symbolic stand-in for the often humorous, often tender, qualities of human desire and longing. While emotive connotations certainly exist in her work, Maas also pays attention to the formal concerns of art making, takes her cues from abstract art – embracing textured flat two-dimensional space, colour systems and the compositional power of line.

Maas’s process involves manically moving from one canvas to the next as visions and images flood her mind. This method allows subjects and themes to thread together, revealing a common pattern of what is veiled just below the surface of her psyche. Her use of the Surrealist Automatic style is evident; whereby similar to applying chance and intuition to mark-making, her paintings are to a large extent freed of rational control; where repressed memories are revealed. It’s from the unconscious that Maas’ work is imbued. Dreamlike images of horses and inanimate everyday objects hover, weightless, suspended in darkened matter; questioning if what we are seeing is really in front of us or perhaps a fabrication of our own subliminal meanderings.
Exerpt from catalogue Essay by Joey Hespe, 2021

Born in the Netherlands, Marise Maas immigrated to Australia with her family in 1982. Maas’ work is represented in numerous major collections nationally and internationally, including the National Gallery of Australia, Artbank, BHP Billiton, Swinburne University of Technology and National Australia Bank Collection. She lives and works in Melbourne.