CONTEMPORARY ART STOCKROOM Agneta Ekholm

Current Exhibitions

Layby for Christmas

Upcoming Exhibitions

30 x 30

In a way nature is always the starting point. It acts as a mirror on the soul; a reflex. In nature I find something that triggers a kind of personal state of mind.
Agneta Ekholm

Serene, vast and immersive, Agneta Ekholm’s sensitively layered paintings evoke a myriad of emotional and cognitive responses. Her organic compositions suggest movement, the play of light, glass-like formations or the flow of water. The fluid ebb and flow of her paint intuitively renders graceful forms via a technique Ekholm has mastered over the years of her practice.

Ekholm says of her practice, ''Working with fast-drying acrylic and water, I use a sponge to apply layer upon layer of shapes and gestures with solid pigment and transparent washes, while continually washing and rubbing sections away until the final complex image is built. I may work for days on a small isolated section of the painting. It is an obsessive and fastidious process and the work travels a complex journey of twists and turns before I have found the ‘solution’ which is that painting's final incarnation.''

Finnish-born, Victorian-based artist Agneta Ekholm has been a finalist in the Ravenswood Art Prize (2018), the Wilson Visual Art Award (2013), the Fleurieu Art Prize (2013), the Mount Eyre Art Prize (2012), the Fisher’s Ghost Art Award (2012) and the Redland Art Award (2012) as well as being a six time finalist in the Calleen Art Award (2010-2016). In 2017 Agneta won the Best Artist Award at Denfair. She has completed major commissions for the Novotel, Melbourne, the Mandarin Oriental Hotel in Guangzhou, China, the Marriott Hotel, Beijing, and The Parisian Sands, Macau, China. Her works are held in major public and private collections nationally and internationally, including Artbank, the Embassy of Finland (Australia), Sony Music Corporation, Google (USA), JW Marriott Hotel, Miami, Florida, Marriott Dallas Market Center, USA and Rydges Hotel Group.