CONTEMPORARY ART STOCKROOM Michelle Molinari
Kingfisher (after Hokusai)
2025, oil on aluminium, 60cm x 40cm , framed. On exhibition at ArtHouse, RACV Goldfields Resort
I explore the intriguing and complex ways in which animals have been depicted in both Eastern and Western art traditions, with a focus on the contrasting visual language of Japanese ukiyo-e and European painting. These two art forms, though separated by geography and culture, often present animals as symbols, creatures of beauty, or subjects that communicate deeper themes about humanity and nature. Through this body of work, I seek to highlight the nuanced differences and similarities in how these two worlds perceive and represent the animal kingdom, by forming a dialogue between the past and present; the dead and the living; and our relationship with the natural world.
'Kingfisher (after Hokusai)' The background contrasts Hokusai's Kingfisher with Iris and Wild Pinks c.1832, with a museum specimen of a kingfisher.
'Kingfisher (after Hokusai)' The background contrasts Hokusai's Kingfisher with Iris and Wild Pinks c.1832, with a museum specimen of a kingfisher.

