CONTEMPORARY ART STOCKROOM Gina Kalabishis
The Great Egret
2025, oil on canvas, 91cm x 71cm
In 'The Great Egret', Kalabishis captures a moment of still flight—an impossible pause. The bird’s wings slice the air in pale arcs, luminous against a shadowy, collapsing backdrop. Yet this elegance is not serenity; it’s a signal. The egret’s flight line, etched in fine trails, is not a path freely chosen but one forced by vanishing wetlands and rising risks.
This work sits at the crossroads of beauty and alarm. Kalabishis uses the egret’s presence to signal both loss and resilience. Gaston Bachelard’s “desire paths” find new form here—not as shortcuts, but as necessary detours away from destruction. The egret’s journey is our own.
This is a call to action dressed in feathers. We are reminded that the trajectory we follow from “point A to point B” must now be reimagined—for the sake of species like this, and the worlds they inhabit.
This work sits at the crossroads of beauty and alarm. Kalabishis uses the egret’s presence to signal both loss and resilience. Gaston Bachelard’s “desire paths” find new form here—not as shortcuts, but as necessary detours away from destruction. The egret’s journey is our own.
This is a call to action dressed in feathers. We are reminded that the trajectory we follow from “point A to point B” must now be reimagined—for the sake of species like this, and the worlds they inhabit.
Artwork to scale in-situ on 3.7m wall
