|
| |
Born
1954, Paparoa, Northland, New Zealand
Education/Positions
1976 BSc (Hons) First Class, University of Auckland, New Zealand
1977 MSc,
University of Auckland, New Zealand
1980 MS, Rutgers University, USA
1984
PhD, University of Western Australia, Australia
1985 Senior Tutor, Department
of Mathematics, University of Western Australia
1985 Chairman of the Examining
Panel for the Tertiary Entrance Examination, Mathematics 1, for Year 12 students
in the State of Western Australia
1986 Lecturer, Department of Mathematics
and Statistics, Curtin University of Technology
1987 Lecturer, Department
of Mathematics, RMIT University
1990 Senior Lecturer, Department of Mathematics,
RMIT University
1996 Associate Professor of Statistics in the Department of
Statistics and Operations Research, RMIT University, Melbourne
1996-2002 Head,
Department of Statistics and Operations Research, RMIT University, Melbourne
2002-2007 Successful Australia Research Council Linkage Grant application: Censored
Regression Techniques for Credit Scoring; Chief Investigator Professor Peter
J. Smith; second CI Professor Robert Brooks, Monash University Business
2002-2009
Head, School of Creative Media, RMIT University, Melbourne
2003 Master of
Fine Art (Painting), RMIT University, Melbourne
2003-current Professor of
Mathematics and Art, RMIT University, Melbourne
2006-2007 Chair, Academic
Leaders Group, RMIT University
2010-current Deputy Head (Research & Innovation),
School of Media & Communication, RMIT University
2010 Antarctic New Zealand
Visiting Artist Fellow, January 2010
Fine Art Publications
Smith, P. J. (1990). ‘Wendy Webb:
Strong Support for a Cabinet Maker’, review, Agenda 12, 27—8,
Melbourne, Australia, August
Smith, P.J. (1990). ‘Colin McCahon: The
Substance of Clouds’. Agenda, 13, Melbourne, Australia, October
Smith,
P.J. (1993). Essay in Fifth Australian Sculpture Triennial Catalogue,
1, 28, National Gallery of Victoria, Melbourne, November
Smith, P.J.
(1993). ‘Moa Walk’, catalogue essay for Moa Walk, Barry Lett
Galleries, Auckland, New Zealand
Smith, P.J. (1994). ‘Quiet Projection’,
review of the work of Wendy Webb in Extension, curated by Caroline Kennedy,Ether
Ohnetitel, Agenda
Smith, P.J. (1994). ‘Data for the record’.
In Statistical Text, 3—4, Monash University Gallery Publication,
Monash University, Melbourne, Australia. ISBN 0 7326 0576 8
Smith, P. J. (1999).
‘Orbital Elements’. In Art News, Spring 1999, 24-25
Smith,
P. J. (2000). ‘Visualising mathematics as a cultural imperative’,
Proceedings of the Australasian Conference on Mathematics and Art, 151—7,
Bond University, Brisbane, Australia, 10—12 December, 2000
Smith, P.J.
(2002). ‘Making notes on the visible’, refereed conference proceedings,
Image, text and sound: beyond the revolution, School of Creative Media,
RMIT University, Melbourne, November
Smith, P.J. (2002). ‘Stilled Moments’,
catalogue essay for Always through the Dark; Notes on the Continuing Presence
of History, Judith Anderson Gallery, Auckland, New Zealand
Smith,
P.J. (2005). ‘The Text Stares Back’, refereed conference proceedings,
School of Creative Media, RMIT University
Smith, P.J. (2007).
‘Rediscovering lines of longitude—signs of ‘new capture’
for art practice at postmodernism’s demise’, book chapter,
Visual Animals, (ed. I North) Contemporary Art Centre of South Australia
Smith P.J. (2009). ‘Total recall—contested depictions of the romantic
tradition’, Second Nature, 1, 81 - 97
Smith, P.J. (2009).
‘reENLIGHTENMENT’, catalogue essay for reENLIGHTENMENT, Gallery
101, Collins St, Melbourne, ISBN 978-0-9579599
Smith, P.J. (2009). Truth
+ Beauty (major fine art publication currently being written)
Citations
2001 Kate McGahey, The Concise History of New
Zealand Artists, Painters, Printmakers and Sculptors, Gilt Edge Publishing:
Wellington, New Zealand
2003-8 John Furphy, Australian Art Sales Digest;
A Survey of Australian and New Zealand Sales of Art at Auction over ten years
from 1993 to 2002; 2007 edn;Acorn Antiques, Armadale, Victoria, Australia.
2006 A. McCulloch, S. McCulloch and E. McCulloch Childs, McCulloch’s
Encyclopedia of Australian Art, The Miegunyah Press: Victoria, Australia,
p897
2008 Whos Who Victoria, Inaugural State Edition, Crown Content:
Melbourne
MATHEMATICS AND STATISTICS PUBLICATIONS
Research
Grants
2002 ARC Linkage Grant, Censored Regression Techniques
for Credit Scoring; Chief Investigator Associate Professor Peter J. Smith;
second CI Professor Robert Brooks, RMIT Business; Industry Partner---ANZ Bank.
Books
Smith, P.J. (1993). Into Statistics: A Guide to Understanding
Statistical Concepts in Engineering and the Sciences, 772 pages, Thomas Nelson
Australia: Melbourne.
ISBN 0 17 008710 7 (major textbook: first edition reprinted
in 1994 by Thomas Nelson
and in 1998 by Springer-Verlag: Singapore)
Smith, P.J. (1993). Into Statistics: Instructor's Manual, 172 pages,
Thomas Nelson Australia: Melbourne. ISBN 0 17008783 2 (major textbook)
Smith,
P.J. (1998). Into Statistics: A Guide to Understanding Statistical Concepts
in Engineering and the Sciences, 2nd edn, 534 pages. Springer-Verlag: Singapore.
ISBN 981 3083 89 1 (major textbook: major re-write of first edition to include
new chapters and software materials)
Smith, P.J. (1998). Into
Statistics: Solutions Manual, 2nd edn, 159 pages. Springer-Verlag: Singapore.
ISBN 9814021 14 8 (major textbook)
Smith, P. J. (2002). Analysis of Failure
and Survival Data, 254 pages. Chapman & Hall/ CRC Press: Boca Raton,
Florida. ISBN 1-58488-075-9 (major research monograph)
Published
Refereed Research Papers
James, I.R. and Smith, P.J. (1984). Consistency
results for linear regression with censored data. Annals of Statistics,
12, 590—600
Smith, P.J. (1986). Estimation in linear regression with
censored response. In Proceedings of the Pacific Statistical Congress,
Auckland, 1985, 261—5; Eds. I.F. Fransis, B.F.J. Manly and L.C. Lam, North-Holland:
Amsterdam
Smith, P.J. (1988). Asymptotic properties of linear regression estimators
under a fixed censorship model. Australian Journal of Statistics, 30,
52—66
Smith, P. J., and Zhang, J. (1995). Renovated scatterplots for
censored data. Biometrika, 87, 447—52
Smith, P. J. (1995).
On plotting renovated samples. Biometrics, 51, 1147—51
Smith,
P. J. (1995). Renovating interval-censored responses. Lifetime Data Analysis,
2, 51—61
Smith, P. J. (1998). Softwaring insight. In Proceedings
of the Fifth International Conference on Teaching Statistics, Singapore, 1998,
3, 1233—5; Eds. L. Pereira-Mendoza, L.S. Kea, T.W. Kee and W-K. Wong, International
Statistical Institute: The Netherlands
Smith, P. J. and Peiris, L. W. (1999).
Added variable plots for linear regression with censored data. Communications
in Statistics: Theory and Methods, 28, 1987—2000
Wang, D. Q.,
Critchley, F. and Smith, P. J. (2003). Multiple sets of deletion measures and
masking in regression. Communications in Statistics: Theory and Methods,
32, 407—13
Smith, P.J. (2004). Using linear regression techniques with
censored data. International Journal of Reliability, Quality and Safety Engineering,
11, 163-173
Wang, D., Smith, P.J. and Aziz, N. (2008). Renovated partial
residual plots and properties for censored regression, Communications in Statistics:
Theory and Methods (under review)
Doctoral Thesis
Smith, P.J. (1985). Estimation in Linear Regression With Censored Response:
A Distribution-Free Approach
Selected Solo Exhibitions
1974 Surrealism to Landscape, The Building Centre,
Auckland, New Zealand
1975 New Work, Northland
Society of Arts, Whangarei, New Zealand
1976 On
The Land, Mollers Gallery, Auckland, New Zealand
1976 Recent
Paintings, Mollers Gallery, Auckland, New Zealand
1977
Fibonacci Numbers, Barry Lett Galleries, Auckland, New Zealand
1977
Random Numbers, Elva Bett Gallery, Wellington, New Zealand
1978
The Violin Performance Pictures, and The Sample Survey Pictures,
Barry Lett Galleries, Auckland, New Zealand
1978 Fence
Paintings, Elva Bett Gallery, Wellington, New Zealand
1982
Two Waters, R.K.S. Art, Auckland, New Zealand
1988
Across Two Waters: A Survey, Faculty Gallery, Faculty of Art and Design,
RMIT, Melbourne, Australia
1989 Zero Crossing,
Faculty of Visual and Performing Arts, Ballarat University,Australia
1990
Archimedes Crying, R.K.S. Art, Auckland, New Zealand
1990
Archimedes Crying, The Suter Gallery – Te Aratoi o Whakatu, Nelson,
New Zealand
1991 Attractor, R.K.S. Art, Auckland,
New Zealand
1993 Moa Walk, R.K.S. Art, Auckland,
New Zealand
1994 Recent Work, Janne Land
Gallery, Wellington, New Zealand
1994 Statistical
Text, Monash University Gallery, Monash University, Melbourne, Australia
1995 Signs of Man, The Suter Gallery –
Te Aratoi o Whakatu, Nelson, New Zealand
1995 Gathering
Data, R.K.S. Art, Auckland, New Zealand
1996
Data Frames, Janne Land Gallery, Wellington, New Zealand
1996
Hypertext, Gallery 101, Collins St, Melbourne, Australia
1997
Figuring The Drift of Stars, Judith Anderson Gallery, Auckland, New Zealand
1998 Elements, Gallery 101, Collins St, Melbourne,
Australia
1998 Making Notes on the Visible,
Milford House, Dunedin, New Zealand
1998 Remarks
on Space∙time, Judith Anderson Gallery, Auckland, New Zealand
1999
Deep Field Measure, Janne Land Gallery, Wellington, New Zealand
1999
It is by gathering data that we come to know about the world, Gallery
101, Melbourne, Australia
2000 Marks of the Navigator,
Judith Anderson Gallery, Auckland, New Zealand
2000
View, Janne Land Gallery, Wellington, New Zealand
2001
A Cinematic Trace, Judith Anderson Gallery, Auckland, New Zealand
2001 Underlapping Science, Gallery 101, Melbourne,
Australia
2002 Underlapping Science, Michael
Nagy Fine Art, Sydney, Australia
2002 Always through
the dark; Notes on the continuing presence of history, Judith Anderson Gallery,
Auckland
2003 Fading Light, Milford Gallery,
Dunedin, New Zealand, June
2003 Fading Light,
Gallery 101, Collins St, Melbourne, Australia
2004
The Substance of Clouds, Judith Anderson Gallery, Auckland, New Zealand
2004 Stills from ‘Fading Light’,
Bett Gallery, Hobart, Tasmania
2005 Illumined
by Darkness, Edmiston Duke Gallery, Auckland, New Zealand.
2005
Navigator, Milford Galleries Queenstown, New Zealand
2005
Close to the Eastern Shore, Judith Anderson Galleries, Hawkes Bay.
2005 Illumined by Darkness, Gallery 101, Collins
St, Melbourne, Australia
2006 Truth + Beauty,
Milford Galleries, Dunedin, New Zealand
2006 Truth
+ Beauty, Edmiston Duke Gallery, Auckland, New Zealand
2007
Truth + Beauty, Gallery 101, Collins St, Melbourne, Australia
2007
Truth + Beauty, Brooke/Gifford Gallery, Christchurch, New Zealand
2008 Truth + Beauty, curated by Claire Watson,
Gippsland Art Gallery, Sale, Victoria, Australia
2008
The Sublime Echo, Milford Galleries, Dunedin, New Zealand
2009
reENLIGHTENMENT, Gallery101, Collins St, Melbourne, Australia
2009
Histories Reprised, John Leech Gallery, Auckland, New Zealand
2010
Nine Key Works 2002-8 & Selected Sublime Echo Studies, 15th May -
9th June, Milford galleries, Queenstown, New Zealand
Selected Group Exhibitions
1974 Group
Exhibition, Lincoln Gallery, Auckland, New Zealand
1975
Group Show 75, Mollers Gallery, Auckland, New Zealand
1976
Group Exhibition, John Leech Gallery, Auckland, New Zealand
1976
Group Show 76, Mollers Gallery, Auckland, New Zealand
1977
New Year/New Works 1977, Barry Lett Galleries, Auckland, New Zealand
1977 Young Contemporaries, Auckland City Art
Gallery, Auckland, New Zealand
1978 NY/NW/78,
Barry Lett Galleries, Auckland, New Zealand
1986
Future Perspectives, Editions Gallery, Fremantle, Western Australia
1992 A Breath of Fresh Art---A selection of recent
art works by 35 New Zealand artists, The Bath∙House Art and History
Museum, Rotorua, New Zealand
1993 Stock,
R.K.S. Art, Auckland, New Zealand,
1994 New Year/New
Work, R.K.S. Art, Auckland, New Zealand
1995
Herald-Sun Art Award, juried exhibition of finalists, Herald and Weekly
Times, Melbourne, Australia
1995 Artworkz Seven,
101 Collins Street Acquisitive Prizes 1995, juried exhibition of finalists, Gallery
101, Melbourne, Australia
1996 Shifting Ground,
Moonee Valley Festival Contemporary Art Prize 1996, curated by Sharyn Dawson,
Melbourne, Australia
1996 Fifth Australian Contemporary
Art Fair, Melbourne Royal Exhibition Buildings, Melbourne, Australia
1996 The Land, Centre of Contemporary Art, Christchurch,
New Zealand
1996 Re-view, Gallery 101, Melbourne,
Australia
1997 3 Major Surveys of Modern New Zealand
Art, Milford Galleries, Dunedin, New Zealand
1997
Director’s Choice, Gallery 101, Melbourne, Australia
1998
Summer Survey 1998: Robert McLeod, Allen Maddox, Peter James Smith, John Parker,
Philippa Blair, Judith Anderson Gallery, Auckland, New Zealand
1998
Picturing History, Centre of Contemporary Art, Christchurch, New Zealand
1998 Sixth Australian Contemporary Art Fair,
Royal Exhibition Buildings, Melbourne, Australia
1998
Art for Life, Centre of Contemporary Art, Christchurch, New Zealand
1998 Director’s Choice, Gallery 101, Melbourne,
Australia
1999 Catalogue Show, Milford House,
Dunedin, New Zealand
1999 Salon des Refusees,
curated exhibition of entries from the Archibald and Wynne Prizes, S. H. Ervin
Gallery, Sydney, Australia
1999 Looking South-across
time, distance, place and culture, Milford Galleries, Dunedin, New Zealand
1999 Eighth Annual Wallace Art Awards in Association
with the Visa Gold Art Award, juried exhibition of finalists, Wallace Trust
Gallery, Auckland, New Zealand
1999 Director’s
Choice, Gallery 101, Melbourne, Australia
1999
Exhibition Space, Judith Anderson Gallery, Auckland, New Zealand
2000 Annual Exhibition, Mobile Art, Auckland,
New Zealand
2000 The Numbers Game, Adam Art
Gallery--Te Pataka Toi, Wellington, New Zealand
2000
Melbourne Artfair 2000, 7th Australian Contemporary Art Fair, Royal Exhibition
Buildings, Melbourne, Australia.
2000 Stand 33
@ Gallery 101, A Melbourne Artfair 2000 Satellite Exhibition, Gallery 101,
Collins St, Melbourne, Australia
2000 SQuaRE 2000,
Gallery 101, Collins St, Melbourne, Australia
2000
Mathematics and Art, Bond University Art Gallery, Gold Coast, Queensland,
Australia
2001 Australia---You Are Here! Four
perspectives of landscape through painting and photography, Gallery 101 at
Flemington, Melbourne, Australia
2002 Our Place:
Our People, Recent Acquisitions, The Suter Gallery—Te Aratoi o Whakatu,
Nelson, New Zealand
2002 The Postcard Show,
Linden Gallery, St Kilda, Melbourne, Australia
2002
The 2002 John Leslie Art Prize: Art refers to Environment, juried exhibition
of finalists, Gippsland Art Gallery, Sale, Victoria, Australia
2002
Wyndham City Contemporary Art Prize 2002, juried exhibition of finalists,
Melbourne, Australia
2002 Synergy, A collaborative
exhibition between artists and scientists, curated by Dick Bett, CSIRO Marine
Laboratories, Hobart, Tasmania
2002 Melbourne
Artfair 2002, 8th Australian Contemporary Art Fair, Royal Exhibition Buildings,
Melbourne, Australia.
2003 Inaugural Exhibition,
on the occasion of new premises, Michael Nagy Fine Art, Sydney, Australia, February
2003
2003 Compendium, Platform 5, curated
by Martina Copley, March 2003
2003 Future Perfect,
curated by Gerard Castles and Dick Bett, Bett Gallery, Hobart, Tasmania, March
2003
2003 OverView ‘’ Is As: Landscape
as metaphor’’, Milford Galleries Dunedin, New Zealand
2003
Opening exhibition, Milford Galleries Queenstown, New Zealand
2003
Strata, Postgraduate exhibition, Class of 2003, RMIT University, Melbourne
2004 Textures of Place, Milford Galleries Queenstown,
New Zealand
2004 Inaugural exhibition, Judith
Anderson Gallery—Hawkes Bay, New Zealand
2004 Compendium,
ICON Museum of Art, Deakin University, curated by Martina Copley, Melbourne, Australia
2004 The Transit of Venus, Milford Galleries:
Queenstown, Dunedin and Auckland, New Zealand
2004
Artfair 04, Royal Exhibition Buildings, Melbourne, Australia.
2005
Art at Heart, selected work from the Suter Collection,
The Suter, Te Aratoi o Whakatu, New Zealand
2005 The
Southern Landscape, Milford Galleries Dunedin, New Zealand
2005
Crossover: 13 artists investigating cross-cultural influences,
CUSP Gallery, Melbourne, Australia
2006 Small
Works, Gallery 101, Collins St, Melbourne, Australia
2006
Recent Works: Peter James Smith, JS Parker, Kathy Barber, Scott McFarlane,
Cheryl Lucas, Milford Galleries, Queenstown, New Zealand
2006
Salon, curated by Catherine Wolfhagen, Bett Gallery, Hobart, Australia
2006 Location South, Milford Galleries Queenstown,
New Zealand
2007 Second Auckland International Artfair,
represented by Milford galleries, Auckland, New Zealand
2007 3
x 5, Milford Galleries Auckland, New Zealand, August
2007
Sight Scene: A top of the South Art Tour—Celebrating the Suter’s
Collection, curated by Julie Catchpole, The Suter, Te Aratoi o Whakatu, New
Zealand
2008 Masterworks; Milford Galleries
Queenstown, New Zealand
2008 (The Skins of the)
Orchestra; a sculptural installation with sound artists Kipps Horn and
Barry Hill, Field 36, School of Creative Media, RMIT University,
2008
Peter James Smith and Luke Jacobs, Milford Galleries Auckland, New Zealand
2008 Anthology; curated by Dianna Gold, Gallery
101, Melbourne, Australia
2009 The Southern Landscape,
Milford Galleries Queenstown, New Zealand
2009 Masterworks;
Milford Galleries Queenstown, New Zealand
2009
Third Auckland International Artfair, represented by John Leech Gallery,
Auckland, New Zealand
2009 Classic vs Contemporary—Critical
art movements within New Zealand, John Leech Gallery, Auckland, New Zealand
2009 The Artist’s Aviary, John Leech
Gallery, Auckland
2009 Catalogue Show, John
Leech Gallery, Auckland, New Zealand
2010 Wall
Works, Gallery 101, Melbourne, Australia
Summary of Public
Gallery Exhibitions
2008 Truth + Beauty,
solo exhibition, curated by Claire Watson, Gippsland Art Gallery, Sale, Victoria,
Australia
2008 (The Skins of the) Orchestra;
a sculptural installation with sound artists Kipps Horn and Barry Hill, Field
36, School of Creative Media, RMIT University,
2007
Sight Scene: A top of the South Art Tour—Celebrating the Suter’s
Collection, curated by Julie Catchpole, The Suter, Te Aratoi o Whakatu, New
Zealand
2005 Art at Heart, selected work
from the Suter Collection, The Suter, Te Aratoi o Whakatu, New Zealand
2004 Compendium,
ICON Museum of Art, Deakin University, curated by Martina Copley,
Melbourne, Australia
2002 Our Place: Our People,
Recent Acquisitions, The Suter Gallery—Te Aratoi o Whakatu, Nelson, New
Zealand
2000 Numbers Game, curated by Zara
Stanhope, Adam Art Gallery--Te Pataka Toi, Wellington, New Zealand
1998
Picturing History, Centre of Contemporary Art, Christchurch, New Zealand
1996 The Land, Centre of Contemporary Art, Christchurch,
New Zealand
1994 Statistical Text,
Monash University Gallery, Monash University, Clayton Campus, Melbourne, Australia
1992 A Breath of Fresh Art---A selection of recent
art works by 35 New Zealand artists, The Bath∙House Art and History
Museum, Rotorua, New Zealand
1977 Young Contemporaries,
Auckland City Art Gallery, Auckland, New Zealand
Exhibition Reviews
1974 Terry McNamara, ‘Talent among the banality’,
review, New Zealand Herald, Auckland, New Zealand
1974
Terry McNamara, ‘Gallery’s best show yet’, review, New
Zealand Herald, Auckland, New Zealand, 29 October
1975
L.W. Keys, `Intriguing blend from young artist’, review, The Northern
Advocate, Whangarei, New Zealand, August
1975 Terry
McNamara, ‘Mixed bag in group show’, review, New Zealand Herald,
Auckland, New Zealand, December 13
1976 Denys Trussell,
‘Exhibitions’, review, Auckland City News, Auckland, New
Zealand, August
1976 Terry McNamara, ‘Attack
artist’s chief quality’, review, The New Zealand Herald, Auckland,
New Zealand, 17 August
1977 Dugald Page, ‘Art
potential in new works’, review, The New Zealand Herald, Auckland,
New Zealand, 10 February
1977 Neil Rowe, ‘Mathematical
Influence in art’, review, The Evening Post, Wellington, November
19
1977 Neil Rowe, ‘Wellington’, review,
Art New Zealand, 8, 18
1977 Neil Rowe, ‘It
could become known as the year of the photographer’, annual review, The
Evening Post, Wellington, New Zealand, December 31
1978 Terry
McNamara, ‘Tough Job for Critic’, review, The New Zealand Herald,
Auckland, New Zealand, June 20
1978 Gordon H.
Brown, review, The Auckland Star, Auckland, New Zealand, June
1982
Terry McNamara, ‘Depressing Week at the Galleries’, review,
The New Zealand Herald, Auckland, New Zealand, April 5
1988
RMIT Openline, 4, ‘!Eureka!’, RMIT University,
Melbourne, Australia, June
1990 ‘Archimedes
Crying’, review, The New Zealand Herald, Auckland, New Zealand,
February 14
1990 Corinne
Ambler, ‘Combining his talents’, article, Nelson Evening Mail,
Nelson, New Zealand, September 25
1991 Terry McNamara,
‘Thursday Arts’, review, The New Zealand Herald, Auckland,
New Zealand, July 4
1993 Ann Somerville, ‘Powerful
works in world visions’, article, Rotorua Times, Rotorua, New Zealand, January
13
1993 Terry McNamara, ‘Perspective on Art’,
review, The New Zealand Herald, Auckland, New Zealand, November 18
1994 RMIT Openline, ‘Maths and painting
add up well in art exhibition’, RMIT University, Melbourne, Australia, July
27
1994 Stephen Cain, ‘Ghosts from an obsession’,
review, The Evening Post, Wellington, New Zealand, May 31
1995
Fiona Cassie, ‘Smith mixes maths and art’, The
Nelson Evening Mail, Nelson, New Zealand, 12 February
1995
Keith Stewart, ‘Entwining the lines of arts, science’,
Sunday Star Times, Auckland, New Zealand, 9 July
1995
Terry McNamara, in ‘Perspective on Art’, New Zealand
Herald, Auckland, New Zealand, 12 July
1995 John
Daly-Peoples, in ‘Review--Auckland’, Art New Zealand, 76.
1995 Keith Stewart, ‘Best of 95’, New
Zealand Listener, December.
1996 Keith Stewart,
‘Capturing the potent power of Mt Ruapehu’, Sunday Star Times,
Auckland, New Zealand, 14 July
1996 Pauline Swain,
‘Art in Ruapehu summit atmospherics’, article, The Dominion, Wellington,
New Zealand, 13 July
1996 Elva Bett, ‘Excellence
in different mediums’, review, The Dominion, Wellington, New Zealand,
12 July
1996 Stephen Cain, ‘Robin White back—balanced
and flawless’, review, The Evening Post, Wellington, New Zealand,
18 July
1996 Colin Slade, ‘Approaching the land
in an individual way’, The Press, Christchurch, New Zealand, 25
September
1996 Robyn Ussher, ‘Views of the landscape’,
The Press, Christchurch, New Zealand, 25 September
1996
Ann Marsh, ‘Best and Fairest’---Visual Arts Review, Fifth
Australian Contemporary Art Fair, Herald Sun, Melbourne, Australia, 4
October
1997 Keith Stewart, ‘The good, the bad,
and the ugly of ‘96’, Sunday Star Times, Auckland, New Zealand,
12 January
1997 Keith Stewart, ‘This light load
is a big ask’, Sunday Star Times, Auckland, New Zealand, 10 August
1997 Terry McNamara, ‘Painting by Numbers’, New
Zealand Herald, Auckland, New Zealand, 1 August
1997 John
Daly-Peoples, ‘Landscapes match Wagnerian philosophy’, The National
Business Review, 8 August
1997 Keith Stewart,
‘Hotere highlight of healthy year’, Sunday Star Times, Auckland,
New Zealand, December
1998 ‘Arts Calendar March/April:
Peter James Smith’, The Age, Melbourne, Australia, 23 March
1998 Mary Lou Jelbart, Arts National, Radio 3LO,
Melbourne, Australia, 19 April
1998 Claire Heaney,
‘Elements of Two Worlds’, Herald Sun, Melbourne, Australia,
20 April
1998 Joanne Campbell, Review, Otago Daily
Times, Dunedin, New Zealand, 21 July
1998 The
Australian Commercial Galleries Association Guide Book, 1998—1999,
32--33
1998 Wayne Mowatt, Radio Art: Keith Stewart
interviews Peter James Smith, National Radio, New Zealand, 5 November
1998 Terry McNamara, ‘Whatever takes your fancy’,
review, New Zealand Herald, Auckland, New Zealand, 7 November
1999
Mark Amery, Deep Field Measure exhibition review, Radio Art, National
Radio, New Zealand, 10 June
1999 John Daly-Peoples,
‘Arts: The Wallace Art Awards, New Zealand’s Richest Art Prize’,
The National Business Review, September 17
2000
Terry McNamara, ‘Minimalism’s meditative power for the millenium’,
review, New Zealand Herald, Auckland, New Zealand, 8 May
2000
‘Art with Numbers’, article, Capital Times, Wellington,
New Zealand, 12-19 July
2000 Katy Corner, ‘Mind
bending, maths and art’, article, City Voice, Wellington, New Zealand,
6 July
2000 John Millington, ‘Maths equals Art’,
review, Brisbane Courier Mail, Brisbane, Australia, 20 December
2001
Terry McNamara, ‘The weight of darkness and the lift of light’, review,
New Zealand Herald, Auckland, New Zealand, 25 June
2001
John Daly - Peoples, ‘Art - iculate’, review, The National Business
Review, Auckland, New Zealand, 29 June
2002 Angela
Moriarty, ‘A matter of interpretation’, article, The Nelson Mail,
Nelson, New Zealand, 9 January
2002 Terry McNamara,
‘Pointers to nothing particular’, review, The New Zealand Herald,
Auckland, New Zealand, October 28
2002 Charles Tongue,
‘Auckland Galleries’, article, State of the Arts, December 2002
to February 2003, 86-7.
2002 Zara Stanhope,
‘Numbers Game: Creative connections between art and mathematics’,
Newsletter of the New Zealand Mathematical Society, 84, 19-25
2003
Joanne Campbell, `Science and art provide harmonious perspective’, review,
Otago Daily Times, Dunedin, New Zealand, June 26
2003
David Eggleton, Sally Blundell, William McAloon, ‘I’ll buy that for
a dollar’ investment article, New Zealand Listener, New Zealand,
Sept 20-26
2003 Robert Nelson, ‘Wandering geometry
beats layout’, review, The Age, Melbourne, Australia, 19 November
2004 Phil Beck, ‘Artist’s images stick to
the text’, article, The Mercury, Hobart, 23 October
2005
James Dignan, ‘Different journeys in different lands’, review, Otago
Daily Times, 16 June
2005 Terry McNamara, ‘The
obvious and the obscure—Visual Arts: Clear New Zealand Scenes contrast with
layered landscapes’, review, New Zealand Herald, 22 June
2005
Bridie Lonie, ‘Great Southern Land’, review, New Zealand Listener,
25 June – 1 July
2006 Joanne Campbell, ‘Smith
reveals landscapes anew’, review, Otago Daily Times, 25 May
2006 Terry McNamara, ‘Calculations a Compelling
Factor’, review, New Zealand Herald, 13 September
2007
Andrew Paul Wood, ‘Exploring Beauty’, review, The Christchurch
Press, 24 October
2008 Frances Johnson, ‘Journey
of Discovery’, review, The Age, Melbourne, 27 June
2008
Chantelle Carrick, ‘Art Seen’, review of The Sublime Echo, Otago
Daily Times, 30 October 2008
2008 Gavin Bertram,
‘Star men out to blow our minds’, D Scene, 17 Oct 2008, Dunedin
2009 Marcus Bunyan, Review of ‘reENLIGHTENMENT’,
http://artblart.wordpress.com/2009/03/29/
2009 Terry McNamara, ‘Reflecting on the nature of
colour’, review, The New Zealand Herald, 21 November, 2009
Reproduction of Works
1995 ‘Kolmogorov’s
Tag’ in Artworkz Seven, exhibition catalogue, Gallery 101, Melbourne,
Australia
1995 ‘Air monitoring data’ in Mathematics—Expanding
your horizons, poster design, published jointly by the Department of Mathematics
and the Department of Statistics and Operations Research, RMIT University
1996 ‘The probability distribution of visible rocks’
in New Zealand Art Diary 1997: A selection of work from 21 Contemporary New
Zealand Artists, Saint Publishing Ltd, Auckland, New Zealand
1996
The Fifth Australian Contemporary Art Fair, exhibition catalogue,
Melbourne
1996 Into Statistics, book cover,
Springer-Verlag, Singapore
1997 Newton Plus,
book cover, Addison Wesley Longman, Auckland, New Zealand
1998
Into Statistics 2nd edn, book cover, Springer-Verlag, Singapore
1998 ‘Kepler’s Laws’, CoCA Quarterly,
cover photograph, April-May-June, Centre of Contemporary Art, Christchurch, New
Zealand
1998 The Sixth Australian Contemporary
Art Fair, exhibition catalogue, Melbourne
1999 ‘Crepuscular
Rays’, The 101 Quarterly, 2, Anniversary Edition, cover photograph,
101 Collins St, Melbourne, Australia
2000 Winter
Catalogue 2000, illustrated catalogue with bibliography, Milford Galleries,
Dunedin, New Zealand
2001 Winter Catalogue 2001,
CD catalogue, Milford Galleries, Dunedin, New Zealand
2001 ‘Source’,
Dunbar Sloane Wellington May 2001 Auction Catalogue, lot 64, Wellington,
New Zealand
2001 ‘A measured passage: The Endeavour
off Cape Maria Van Dieman, December, 1769’. Dunbar Sloane Wellington
August 2001 Auction Catalogue, lot 61, Wellington New Zealand
2002
‘Mars Pathfinder at Ares Vallis’, Faculty of Applied Science
Website, RMIT University
2002 ‘The
Polar Front’, online website for Synergy Exhibition, CSIRO, Tasmania at
http://www.science-in-salamanca.tas.csiro.au/gallery/synergy/smith/index.htm
Essays on Exhibited Works
1978 Peter
Lorimer, ‘Some of the Finite Projective Planes’, Mathematical
Intelligencer, 5, 41-50
1994 Robert Nelson, ‘Speculations
on the Empirical Lyre of Peter James Smith’, Statistical Text exhibition
catalogue, Monash University Gallery, Melbourne, Australia
1996
Keith Stewart, ‘Probability Bites’, Quote Unquote,
August
1996 Keith Stewart, Ditch—Peter
James Smith: painting the gap, catalogue essay, Gallery 101, Melbourne, Australia
1997 Keith Stewart, ‘Life Science’, New
Zealand Listener, 2 August
1999 Ben Marshall,
‘Painting x Numbers’, article, Australian Style, 31, 101
1999 Elizabeth Kerr, Looking South - across time,
distance, place and culture, catalogue essay, Milford Galleries, Dunedin,
New Zealand
2000 John Gregory, ‘Peter James
Smith: It is by gathering data that we come to know about the world’, Eyeline,
41, 48--9
2000 Pat Baskett, ‘All-rounder for
our post-modern times’, article, New Zealand Herald, Auckland,
New Zealand, 24 April
2000 Zara Stanhope, The
Numbers Game, catalogue essay, Adam Art Gallery---Te Pataka Toi, Wellington,
New Zealand
2000 Suzie Campbell, ‘Beyond the
Known World: The Paintings of Peter James Smith’, Art New Zealand,
97, 82--85
2000 David Famularo, ‘Mathematical
Musings’, article, The Dominion, Wellington, New Zealand, 17 November
2001 Stephanie Radok, ‘A water or a light’,
article, Artlink, 21, 51-2
2001 Martina Copley,
‘Terrain’, catalogue essay for A Cinematic Trace, Judith
Anderson Gallery, Auckland, New Zealand
2001 Martina
Copley, ‘The Ship’s Wake’, catalogue essay for Underlapping
Science, Gallery101, Melbourne; Michael Nagy Fine Art, Sydney, Australia
2001 Patrick Hutchings, ‘Number is the Wisest
Thing’, catalogue essay for Underlapping Science, Gallery 101,
Melbourne, Michael Nagy Fine Art, Sydney, Australia
2002
Synergy, exhibition catalogue, CSIRO Marine Research Laboratories, Hobart,
Tasmania
2005 John Armstrong, ‘The Art of the
Modern Sublime’, catalogue essay for Illumined by Darkness, Edmiston
Duke Gallery, Auckland, New Zealand
2009 John Armstrong,
‘Paradise Lost’, catalogue essay for reENLIGHTENMENT, Gallery
101, Collins St, Melbourne
Invited Lectures on Fine Art
1986 ‘Mathematics and Art’, Colloquium,
Department of Mathematics, University of Western Australia
1987
‘Painting by Numbers’, Seminar, School of Fine Art, Curtin
University of Technology, Western Australia
1987
‘On Combining the rationalism of a mathematician with the expressionism
of an artist’, Public Lecture, Glasshouse Theatre, RMIT, Melbourne, Victoria,
1989 ‘Zero Crossing’, Seminar, Faculty
of Visual and Performing Arts, Ballarat College of Advanced Education, Ballarat,
Victoria, Australia
1990 ‘Sense of Place’,
Invited Public Lecture on the work of Colin McCahon, Ian Potter Gallery, The University
of Melbourne, Victoria, Australia, September 8
1990
‘Chaos, yes, but is it Art?’ Invited panel member, for public discussion
of the exhibition Chaos, toured by the Goethe Foundation, organised by
the Department's of Applied Physics and Fine Art, 1990, RMIT Gallery, Swanston
St. Melbourne
1991 ‘Attractor’,
visiting artist seminar program, Elam School of Art, University of Auckland, New
Zealand
1998 ‘Making Notes on the Visible’,
Invited Lecture for National Science Week, Dunedin Public Gallery, Dunedin New
Zealand
1999 ‘Writing Text on Paintings’,
Invited Speaker, Auckland Writers Festival, Auckland City Art Gallery, Auckland,
New Zealand, 28 May
1999 ‘The Numbers Game’,
invited floortalk on the exhibition of the same name curated by Zara Stanhope,
Adam Art Gallery, Victoria University, Wellington, NZ
2000
‘Visualising Mathematics as a Cultural Imperative’, Invited Keynote
Speaker, Mathematics and Art Conference, Bond University, 10-12 December
2000
‘Painting Statistics’, Invited Lecture, Statistical Society
of Australia, Melbourne, August
2003 ‘Contemporary
art in Sydney and Melbourne’, Invited Lecture and curatorial advice, Derwent
Collection, Longford, Tasmania, July 2003
2003 ‘Contemporary
art in Sydney and Melbourne’, Invited Lecture and curatorial advice, Esk
Collection, Launceston, Tasmania, August 2003
2003 ‘On
Visualising Numbers’, invited keynote speaker, 5th International Conference
on Industrial and Applied Mathematics, Sydney, 7—11 July.
2005
Markers, Speculation and Innovation Conference, 2005:
Applying Practice-Led Research in the Creative Industries, Queensland University
of Technology
2006 Line of Sight, Art
and Authenticity, Australian National University, October.
2007
Invited Keynote Speaker, Rediscovering Lines of Longitude—signs
of ‘New Capture’ for art practice at postmodernism’s demise,
Visual Animals Seminar, AGSA
Invited lectures on Mathematics
and Statistics
1982 ‘Linear
regression with censored data’, conference presentation, 6th Australian
Statistical Society Conference, University of Melbourne
1984
‘Asymptotic properties of estimators in linear regression with censored
response’, conference presentation, 7th Australian Statistical
Society Conference, University of Queensland
1985
‘Estimation in linear regression with censored response’, conference
presentation, Pacific Statistical Congress, University of Auckland, New Zealand
1988 ‘Linear Regression with Censored
Data’, invited seminar speaker, CSIRO, Division of Mathematics and Statistics,
Clayton, Victoria, September
1992
‘Statistical education’, conference presentation, 11th Australian
Statistical Society Conference, University of western Australia, Perth
1993
‘Renovated Scatterplots’, invited seminar speakers, University of
Auckland, Canterbury University, Waikato University
1994
‘Renovated Scatterplots’, Victoria University of Wellington,
New Zealand, May
1994 ‘Regression
Diagnostics’, conference paper, 12th Australian Statistics Society Conference,
Monash University, July
1997 ‘Residuals
and Renovated Scatterplots’, invited seminar speaker, Australian Graduate
School of Management, University of New South Wales, Sydney, June
1997
‘Survival Analysis’, invited presentation and discussion paper,
Australian Conference on Industrial Statistics (ACIS97), Melbourne, Sept 29-30
1999 ‘Regression Diagnostics’,
funded seminar presentations, Departments of Statistics and Biostatistics, University
of Iowa; University of Pittsburgh
2003
‘Linear Regression with Censored Data’, invited keynote speaker, International
Conference on Reliability and Survival Analysis, University of South Carolina
2003 Smith, P.J. and Glasson, S. (2003).
‘Censored regression techniques for credit scoring’,
International Conference on Credit Scoring, Glasgow
Collections
Department of Mathematics, University of Auckland, New Zealand
The University
of Melbourne, Melbourne, Australia
Auckland Hospital Board, Auckland, New
Zealand
New Zealand Ministry of Foreign Affairs
Victoria University of
Wellington, New Zealand
Rothmans Cultural Foundation
RMIT University,
Melbourne, Australia
Herald and Weekly Times, Melbourne, Australia
Air
New Zealand
Eastern Energy, Melbourne, Australia
La Trobe University,
Melbourne, Australia
101 Collins Street, Melbourne, Australia
National
Australia Bank, Melbourne, Australia
Massey University, Albany Campus, Auckland,
New Zealand
Wallace Trust Collection, Auckland, New Zealand
The University
of Tasmania, Hobart, Australia
The Suter Gallery – Te Aratoi o Whakatu,
Nelson, New Zealand
The Ian Potter Museum of Art, The University of Melbourne
Victorian Racing Commission
BHP Billiton Collection, Melbourne, Australia
Gippsland Regional Gallery, Victoria, Australia
Victorian Racing Commission,
Melbourne, Australia | | |
| | |
| |
