Painter and printmaker Caroline Rannersberger responds intuitively to her environment, referencing the rhizomatic model of the Deleuzian philosophy. This philosophy opens up a new way of ‘seeing’ the landscape through acknowledging that rather than one fixed viewpoint, landscape contains multiple and shifting points of connection across time and space. Working predominantly on paper or wood panels, Rannersberger’s large scale landscapes reference both her Tasmanian surrounds and her German heritage.

Her work is in the collections of the National Gallery of Australia, The Museum and Art Gallery of the Northern Territory (MAGNT), and Artbank. She was a finalist in the 2012 Tattersalls Art Prize, Brisbane, the 2011 Glover prize and the 2011 City of Albany Art Prize, and has in the last five years been a finalist in the Fleurieu Art Prize, the ABN Amro Award, Fremantle Print Award, & the Alice Prize.

Click here to read recent article in Origins Issue 1, 2011.

Click here to read the catalogue essay written by Donal Fitzpatrick for Caroline's recent solo exhibition, Movement of Disappearance.