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Terri
Brooks
Five Black Dots 2007
oil, enamel and pencil on canvas
41 x 31cm
$990 |
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Terri
Brooks
Rose Madder 2007
oil, enamel and pencil on paper block
40 x 30cm
$990 |
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Terri
Brooks
Striped Edges 2007
oil, enamel and pencil on canvas
41 x 31cm
$990 |
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Terri
Brooks
White Spot 2007
oil, enamel and pencil on paper block
41 x 31cm
$990 |
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Terri
Brooks
Yellow
Corner
oil and enamel on paper block
40x30cm
$990
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Terri
Brooks
Yellow surround 2007
oil and enamel on paper block,
40x30cm
$990
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Terri
Brooks
Grey Drawing 2007
oil, enamel on canvas
41 x 31cm
$990 |
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Terri
Brooks
Mostly white 2007
oil and enamel on canvas
41x31cm
$990 |
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Terri
Brooks
One quarter White 2007
oil and enamel on canvas 41x31
$990 |
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Terri
Brooks
White Shape 2007
oil, enamel and pencil on paper block
40 x 30cm
$990 |
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Terri
Brooks
Red and Yellow verticals 2007
oil, enamel and pencil on paper block
40 x 30cm
$990 |
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Terri
Brooks
Yellow & White 2007
oil, enamel on canvas
41 x 31cm
$990 |
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Terri
Brooks
Buried Black Stripes 2007
oil, enamel and pencil on paper block
40 x 30cm
$990 |
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Terri
Brooks
White Drawing 2007
oil, enamel and pencil on paper block
40 x 30cm
$990 |
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Terri
Brooks
Barbed 2007
oil and enamel on paper block with wire
40 x 30cm
$990 |
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Terri
Brooks
Relic 2007
oil, enamel on paper block
40 x 31cm
$990 |
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Terri
Brooks
Red & Black Shape 2007
oil, enamel and pencil on paper block
40 x 30cm
$990 |
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Terri
Brooks
Buried Black Stripes 2007
oil, enamel and pencil on paper block
40 x 30cm
$990 |
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Terri
Brooks
Two Toned Yellow 2007
oil, enamel on canvas
41 x 31cm
$990 |
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Terri
Brooks
Two White Verticals 2007
oil, enamel on canvas
41 x 31cm
$990 |
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Exploring
the physicality of paint and surface textures, the latest
body of works, Found Marks, continues Terri Brooks
formal investigation of natural mark making. With a
leanness of technique and an innate feeling for surface
textures Brooks utilises her materials to produce rich
and complex works that speak of creating art out of
something humble and ordinary. Following a lineage of
artists attracted to marks in nature - including Whistler,
Pollock, Tuckson and Mondrian, a tradition equating
marks in nature and marks made by an artist which goes
back to Leonardo and his blotchy wall.1
Extending
beyond the pure zones of white and black for which
Brooks is most notable, Found Marks incorporates hues
of red and yellow to an already deeply layered palette.
Many of her new works incorporate what the artist
refers to as paper blocks a compressed
paper support comprising newspaper layers formed
and cured to a hard block. This new element directly
refers to Tony Tucksons early Newspaper paintings,
while further suggesting the artists interest
in the concept of making do. With a corrigated
surface and fat materiality, paint is
allowed to pool and drawn lines navigate undulating
terrains. These works also take on the physicality
of the objects from which Brooks draws her inspiration
such as weathered corrugated iron walls or
decaying road surfaces. With marks that are bold and
honest and which obviously relish gesture, this concern
takes precedence as the scale of Brooks works
increases.
Terri
Brooks has had numerous solo shows since 1989 and
has been selected as a finalist in the Fleurieu Art
Prize, and the Alice Prize. She has been awarded BP
Acquisitive Awards, an Australia Council Grant and
the Pat Corrigan Artists Grant. Her work is in the
Albert Tucker Collection, Macquarie Bank, Westpac
Bank, many other corporate collections, as well as
numerous private collections in Australia, the United
States, the Netherlands and England.
(Footnotes)
1 Auping.Michael, Elderfield. John, & Sontag.
Susan, (1995). Howard Hodgkin paintings, The Fort
Worth Art Association. Hodgkin letter. Page 75,76.
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Terri
Brooks
Ochre Stripe 2007
oil, enamel on canvas
41 x 31cm
$990
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