 | | Ronnie
was born around Muyinnga in around 1943, about 100km west of the Kintore Ranges
across the West Australian border. His family travelled extensively across Pintupi
territory, moving throughout this region and also in the area around Lake Mackay
in the NT. He was initiated into Aboriginal Law at Yumari, near his birthplace,
in the early 1950s. Ronnie and his younger brother, Smithy Zimarron, originally
came in from the bush at Yuendumu, and later joined relatives living in the newly
settled Papunya community (situated 32kms north of the McDonnell Ranges), where
Ronnie worked as a labourer, assisting with the fencing of the aerodrome.
Ronnie started
painting in 1971 with the founding group of Papunya painters, and became an important
influence on the outstation movement. Over the years moving between Papunya, Yuendumu
and Mt Doreen Station, Ronnie spoke to many people about returning to traditional
lands, a move that was made possible with the establishment of a Pintupi township
at Kintore in 1981. Ronnie moved there with his family in the early 80s and later
became Chairman of the Kintore Outstations Council. After a break of several years
he resumed painting, and has since emerged as one of Papunya Tula Artists' major
painters. By the late 1980s and early 90s his distinctive graphic style attracted
considerable attention. In these later works his delicate, dotted Tingari designs
have been transformed into bands of colour to dazzling optical effect. His paintings
are remarkable for their vigour, bold designs and sense of profound spirituality.
He works with the concentric circles of the classic Pintupi iconography and maintains
power and an energetic rhythm throughout. He
has participated in many group exhibitions, and in 1988 he won the Alice Springs
Art Prize He was included in the 'Australian Perspecta 1993' at the Art Gallery
of NSW. Ronnie's many successes have won him widespread acclaim and established
him as one of the masters of desert art. His work has been shown in international
exhibitions many times and he is represented in major public and private collections.
| | | |